What’s a pleasant Jewish viscountess to do when she has a title however no cash, a celebration invitation however no garments and a pair of scissors however no stitching abilities?
Invent the poodle skirt, after all.
That, fairly accidentally, is what Juli Lynne Charlot did in late 1947, within the course of making a totem of midcentury materials tradition as evocative because the saddle shoe, the Hula-Hoop and the pink plastic garden flamingo.
Ms. Charlot, a New York native who died at 101 on Sunday at her residence in Tepoztlán, Mexico, had been a Hollywood singer earlier than her marriage within the mid-Nineteen Forties to a viscount, or British nobleman. Style aware however hopeless with a needle, she stumbled by necessity onto a sample for a putting skirt that concerned no stitching: Take a big swath of solid-colored felt, reduce it into an expansive circle, adorn it with jaunty appliquéd figures in contrasting colours, snip a gap within the middle and pop your self in.
The end result, the embellished circle skirt, was ubiquitous all through the Nineteen Fifties, purchased in droves by ladies and, specifically, adolescent women. With its voluminous cloth that flared prettily when the wearer twirled, it was simply the factor for a sock hop.
Through the years, circle skirts by Ms. Charlot and her many imitators got here adorned with a spread of figurative appliqués, usually comprising small visible narratives. However as a result of the garment’s hottest incarnation sported pictures of poodles, all such skirts got here generically to be referred to as poodle skirts.
“After I was a teen, each woman in your complete Western world wore a poodle skirt,” the humorist Erma Bombeck wrote in a 1984 column. She went on to outline it as “a skirt with sufficient material to slipcover New Jersey with a giant poodle appliquéd on it.”
Born fairly actually of postwar abundance — cloth was now not briefly provide — the poodle skirt merged seamlessly with the youth tradition of the Nineteen Fifties, a set of glad rags that appeared to presage a carefree period. By no means thoughts the Chilly Warfare, the skirt appeared to say: We’re gonna rock across the clock.
In later years, the poodle skirt turned visible shorthand for your complete decade. Even now, a manufacturing of “Grease” or “Bye Bye Birdie” can scarcely be mounted with out one in proof.
The daughter of Phillip and Betty (Cohen) Agin, Jewish immigrants from Japanese Europe, Ms. Charlot was born Shirley Agin in Manhattan on Oct. 26, 1922.
When she was a baby, her household moved to Southern California. There, her father, an electrician, and her mom, an embroiderer, plied their trades at Hollywood studios.
“It was simpler to be poor in a benign local weather,” Ms. Charlot mentioned in 2017, at 94, in an interview for this obituary that ranged over her singing profession (“I nonetheless have a voice, by the way in which”); her inconceivable stage appearances with the Marx Brothers (“I used to be very stunning then”); her penchant for marriage and romance (“I used to be all the time in love with anyone”); and her work as a self-taught clothier.
Younger Shirley’s faculty pals included entertainers-to-be like the long run Judy Garland, the long run Ann Miller and the long run Lana Turner. Possessed of a superb soprano voice, she started taking voice classes at 13, decided to grow to be an opera singer. “I used to be going to be the best exponent of Mozart,” she mentioned.
As a result of she thought Shirley no match identify for a diva, she adopted the skilled identify Juli Lynne.
After graduating from Hollywood Excessive College, she sang with the Los Angeles Civic Gentle Opera and with Xavier Cugat’s orchestra. Throughout World Warfare II, she appeared with the Marx Brothers on a tour of stateside navy bases.
All through her performing years, she designed her personal wardrobe. As a result of she had refused to be taught to stitch (“I didn’t wish to be a drudge, like my mom”), she employed a seamstress to understand her designs in material.
Ms. Charlot had no scarcity of “superstar admirers,” she mentioned, amongst them Harold Lloyd, Gary Cooper and Isaac Stern, the violinist.
She married 4 instances, “to 2 millionaires, a royal depend and a son of a” — and right here she paused for dramatic impact — “baron.”
The primary marriage, to the primary millionaire, “didn’t really matter,” Ms. Charlot mentioned. They had been divorced after three days.
Simply after the conflict, she eloped to Las Vegas with Philip Charlot, an officer within the British Royal Navy. The son of a French father and an English mom, he was additionally, she discovered solely later, a viscount.
At his request, she gave up her profession, settling for all times as a stay-at-home viscountess. Her husband discovered work as a Hollywood movie editor.
In December 1947, she was invited to a Hollywood Christmas social gathering. She had nothing appropriate to put on and no cash: Her husband had not too long ago misplaced his job.
A fairy godmother intervened within the particular person of Ms. Charlot’s mom, who by then had a young children’s put on manufacturing unit. She gave her daughter an enormous sheet of white felt.
Out got here the scissors, and earlier than lengthy, Ms. Charlot discovered herself on the middle of a white circle skirt.
“I labored out the outlet with my brother’s slide rule: C = 2πr,” she mentioned in 2017. She might sew simply properly sufficient by hand to appliqué inexperienced felt Christmas bushes onto the background.
“My mom had a cigar field filled with little tchotchkes that she utilized in her work,” she mentioned. “These went onto the Christmas bushes as decorations.”
The skirt was “an enormous hit” on the social gathering, she recalled.
She made a number of related skirts and took them to a Beverly Hills boutique. They bought out.
After the vacations, the shop requested a nonseasonal design. She created a tableau of dachshunds chasing each other across the skirt. As soon as the dachshunds bought, the shop urged she flip her consideration to poodles. French poodles had been très stylish on the time, and many purchasers owned them.
The poodles pummeled the dachshunds.
Ms. Charlot quickly had a poodle-skirt manufacturing unit. She made skirts adorned with pictures of frogs and lily pads, Parisian road scenes, galloping racehorses, cascading flowers and champagne glasses and pink elephants, together with coordinating blouses, attire, hats and purses.
By the early Nineteen Fifties, her skirts had been promoting for about $35 apiece — some $400 in at this time’s cash.
As a result of Ms. Charlot’s enterprise abilities had been, by her personal account, on par together with her stitching, her manufacturing unit floundered at first. “Mom hocked her diamond ring three weeks in a row to assist me meet the payroll,” she advised the information service United Press in 1953.
However with the assistance of an investor — and with orders from unique shops, together with Bullock’s Wilshire in Los Angeles, Neiman Marcus in Dallas and Bergdorf Goodman in New York — her future was assured.
Right now, Ms. Charlot’s skirts are prized by collectors of classic clothes and may promote for a lot of a whole lot of {dollars} every.
Her marriage to her viscount didn’t endure. On the peak of her success as a designer, she was summoned to tea by his mom. “The extra profitable you grow to be, the much less profitable he turns into,” she recalled her mother-in-law saying. “You’re destroying my son.”
Although Ms. Charlot cherished her husband deeply, she gave him a divorce, she mentioned, so he might recoup his life.
Ms. Charlot’s third marriage, to the second millionaire, led to divorce, as did her fourth, to the Mexican-born son of a German baron. He had not troubled to inform her, she found, that he had been married to 2 ladies beforehand and had by no means fairly bothered to divorce both.
She leaves no speedy household.
In later years, Ms. Charlot, whose dying was confirmed by her buddy Carol Hopkins, manufactured modern renditions of conventional Mexican wedding ceremony attire. She had lived in Tepoztlán, south of Mexico Metropolis, because the Nineteen Eighties.
By the peak of the Swinging Sixties, the miniskirt had put paid to the poodle. However earlier than that occurred, a younger girl was captured in a press {photograph} that betrayed the attain of Ms. Charlot’s work.
The time was 1951, and the place was Ottawa, the place the girl was attending a hoedown on the residence of Canada’s governor common. At 25, she had by no means seen a hoedown, and was tutored privately in its mysteries earlier than the dancing started.
The lady, attired in a metal blue circle skirt by Ms. Charlot appliquéd with hearts, flowering branches and stylized figures of Romeo and Juliet, acquitted herself admirably, in line with information stories.
Her identify was Elizabeth Alexandra Mary Windsor, and she or he could be identified from the subsequent 12 months on as Queen Elizabeth II.
Alex Traub contributed reporting.
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